(Filler-poetry) Micro-Dystopian Junk:

Blame it on rembrandt A3 lowres

Illustration: «Blame it on Rembrandt (Selfportrait)», A3, 2019, Moiret Allegiere.

 

From the spectrum analysis
of the void; wishy-washy
nonsense bottled and sold as perpetual
freedom grieving the loss of
some-odd something.

Veiled gurus cowering in shades,
hiding mumbo-jumbo recordings
of coked-up politicians flinging
shit on the stage.

Weird visions emanating from the
microcosm of cataclysmic
bacteria in my gut. I hear
strange noises in the inner ear;

a hum, a drone,
devoid of meaning.
’tis wordsalads and
stoned gibberish from the ranks
of growling throats and teeth and tongues.

’tis a slow descent into madness:
storytime sellouts, loud-mouth,
obnoxious and drunk
on power
shouting at us from a pinnacle
of perceived morality.

And we:
we have become fat and bored
cold and callous
narcissistic, vapid, overcivilized,
crammed into the backseat
of an undersized Honda
and labelling it love.

Our revolutions have become pedantic
miniature-scale overthrowings of
the what-ever-man-I-didn`t-dig-it variety;
gibberish of cancer-ridden mind-morons,
cowering behind a shower-curtain
drowning in an inch
of proclaimed hate-speech.

All our piss-poor grievances bottled
and sold wholesale as micro-dystopian junk
to be injected constantly into the eyes
and flaring nostrils
of the clinically dead conscientous junkies;
offended and having no shame.

Chemically castrated, side by side and in pairs
we walk jubilantly to mass-graves
singing songs
of joy and celebration and
of joyus celebration,
blinded to the truth
by ideals too clinical to be sane.

Castrated and morally feverish
we raise the flag of superficial fellowship,
a banner of solidarity,
free-falling, drunk and damaged,
just another take on the old
new world order of old
new-speak.

Kallo! Kallei! Hey-nonny-nonny-neigh!
Here we are, lost in permanent
displacement; within a void, within electric buzz!
Hey! Ho! Hey-nonny-nonny-no!
Here we fall, lost in a progressive
shitshow; a hollow tune, a loss for words.

All our words, swirling
down the drain (Hey honey, I’m home)
seeing reason in the face of madness
dance away, flip-flopping into the ether
or into crowdfunded oblivion
permanently scarred by the toxicity
of freedom-fighters fighting for tyranny.

Visionary journeys numbed by drugs and by TV
trashtalking gossip and no-nonsense dreamscapes
in bent reality reality-television, starstruck
by witnessing the vast open canvas of apocalypse

coursing through the veins of reflected
imagination and wild cosmic vibrations
fucked up by lack of oxygen –
nutritient deficiency on the mental plane
balanced by grievance-fuelled
moral stupidity;
we grow accustomed to the night light.

A sudden bright-light flash of
full frontal nudity whilst,
in the background,
heaps of cocaine-stunned nocturamas
plow the cottonfields eternally
in old world plantations.

What ya saying, humdinger?

don`t chase the fractals
don`t frighten the children
kill yourselves instead

melt into the background
disappear in bad music
hands at your sides
or tied behind your back
disappear

choke the life from your
throat, tear your voice from
your eyes, silence and
then
disappear.

A vast freak-out on a global scale,
weird pent-up lack of self-control
in this moment: a permanent fixture.

We die, laughing maniacally.

We die, smiling goofily, succumbing to
a fantastic death-dance.

We die, celebrating our death masqued
as some rebirth or other;

built by futurescapes too horrible to comprehend
past bleeds into the future –
eternalism in the works, oh baby,
our time is what once was will be
again
and
again
and again.

Cycles of mischief and of decadence
dull and numbed and bored,
grinning at nothing
and laughing at noone, smiling at
chasms or at wild-eyed wonders
with childlike innocence.

And so, and now, and there and then,
with childlike glee,
we march backwards
to our solitary confinement and,
confined to isolation, silenced and killed,
we think: this is proper, this is good, this is just.

We are going back.
Backwards in time.

Shamanic madness on the fringes of society
mystical and stained with blood;
teeth at our throat
and hamfisted theory
theorizing hamfistedly
blood and guts and gore
from archaic esoteric
wisdom.

Our cultures merging and diverging,
coo-ee, coo-ee, it`s only me,
it’s only me,
shattered, tattered,
torn apart by raven claws,
smooth as skulls
and dopamine.

It’s only me; an eerie collapse,
an aerial view of animal frenzy,
an inverted comma on your lips,
cold as the dawn
and serotonin.

– Please like, share and subscribe

– Moiret Allegiere, 08.05.2019

_____________________________________________

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